High-Resolution Radio

Category: Mother Earth Radio

Welcome to the Mother Earth Radio category! Here you can keep up to date with everything that makes our station special. Discover the latest updates, exciting background information on our ideas about music and learn more about our projects and our philosophy of sound aesthetics and sustainability. We share news about hi-res audio initiatives and everything that makes Mother Earth Radio unique.

  • Beastie Boys on Mother Earth: The surprising brilliance behind hip hop

    Beastie Boys on Mother Earth: The surprising brilliance behind hip hop

    An apparent contradiction and the surprise behind it

    “Hip hop on Mother Earth Radio?” Some may ask: “Isn’t it all about swearing, drugs, loops and canned beats, musically hardly worth mentioning?” Wrong! We dispel preconceptions and delve into the fascinating world of the Beastie Boys, who prove that hip hop can be much more than the cliché suggests. At Mother Earth Radio, their music plays an important role, and you’ll soon understand why.

    No swearing, no beef: the surprising lyrical approach

    One aspect of the Beastie Boys that is often overlooked is their remarkable lyrical discipline. In contrast to many other hip-hop acts of their time, you would search in vain for vulgar insults or “mother jokes”. Even in absolute “superhero” pathos like in the lyrics to “The Maestro”, you’ll rarely find an F-bomb – if anything, it’s a deliberate, isolated effect that really makes you listen. This conscious decision further sets them apart from the pack and emphasizes their unique and often humorous, but always respectful style.

    This fits perfectly with our philosophy at Mother Earth Radio: we play music that inspires, relaxes and spreads positive vibes. Our program is designed to offer sound experiences that inspire from the ground up and create a pleasant atmosphere. The Beastie Boys are a prime example of how music, including hip hop, can be challenging and entertaining without deviating from this high standard.

    “Check Your Head”: The organic centerpiece of the Beastie Boys

    I listened to the Beastie Boys’ legendary “Check Your Head” on CD up and down back in the day. But it’s only now that I’ve got the original vinyls for Mother Earth Radio and recorded them with our systems that I can clearly hear the musical depth behind it.

    What is immediately noticeable is that they didn’t just sample. Michael “Mike D” Diamond sat at the drums himself and played every track from start to finish. You can hear this in the finest details, for example on the hi-hat, where the knocking of wood on metal is unmistakable – hand-played, no question. This is complemented by the live bass played by the unforgotten Adam “MCA” Yauch (1964-2012) and real guitars, which lend the songs an organic, band-typical touch.

    And the famous scratches? They are not sterile computer effects either. They mostly come from old original vinyls that have been processed live on turntables by DJs – an art form in its own right that honors the medium of vinyl in its original form.

    But even where classic hip-hop elements such as the iconic Roland TR-808 drum machine were used, one decisive factor remains: the vocals. Especially with hip hop, the vocals are the heart of the music, the vibe, the message. And these vocals have been captured fully analog, with all the warmth, presence and subtle nuances of the human voice. The recording of this central element benefits enormously from the analog production and the uncompressed vinyl master. This makes it absolutely worthwhile to experience even hip-hop records on Mother Earth Radio.

    Mario Caldato Jr.: The analog master behind the controls

    The true magic of “Check Your Head” also lies in the man behind the controls: Mario Caldato Jr. He was the long-term producer and sonic architect behind many Beastie Boys works. His approach was groundbreaking at the time and is now more relevant than ever for audiophile listeners.

    Caldato consistently relied on analog recordings on tape. What today is often simulated with a mouse click in software, he realized in time-consuming detail work and with the highest precision. All of the effects were done by hand with automation and realized with analog studio equipment. This is sound craftsmanship at the highest level, which is diametrically opposed to many of today’s productions. This dedication to sound and performance on all levels makes the Beastie Boys absolutely valuable musically.

    Why Beastie Boys on Mother Earth Radio?

    The answer is simple: the Beastie Boys fit perfectly with our sound philosophy. Their meticulous analog production and the dynamics of their recordings, especially on the vinyl originals, reflect our aspiration to present music in its most authentic form. They were not only rap pioneers, but also cross-genre innovators and excellent musicians.

    Mother Earth Radio is all about focusing on musical quality beyond the clichés. We invite you to listen carefully and rediscover the Beastie Boys – with the depth of sound and dynamics that their music deserves.

    Conclusion: A new listening experience for old heroes

    The Beastie Boys are more than just a hip-hop band; they are a masterpiece of musical craftsmanship and sonic experimentation. Dive in and experience why these icons of hip hop have a permanent place on Mother Earth Radio’s program.

    Ready for your “mic drop” moment?

    Discover the incomparable sound of the Beastie Boys and let their musical brilliance convince you. At Mother Earth Radio you can experience their original vinyls in the best quality – free of charge at any time.

  • Les Claypool’s Duo De Twang – Live on Mother Earth Radio!

    Les Calypool's Duo De Twang
    Les Claypool’s Duo de Twang live 2014 at the Jamcruise

    Around the campfire with Les Claypool and Bryan Kehoe

    Are you looking for Les Claypool or Duo de Twang? Then Mother Earth Radio is the right place for you! We play their unique sounds live and in top quality – completely free of charge. Experience how Les Claypool and Bryan Kehoe redefine the boundaries of acoustic blues.

    If you know Primus, you might have an idea of what to expect. But when the Duo De Twang kick things off on Mother Earth Radio, there’s often a big question mark hovering overhead: “What on earth is that??”

    Imagine Les Claypool from Primus sitting with his buddy Bryan “Mr. Key Hoesington” Kehoe around the campfire. Claypool, armed with some kind of Dobro steel acoustic bass, hammers out incredible stuff on it and stomps on some stomp box in time. Meanwhile, Kehoe works his steel guitar with bottleneck solos and everything that goes with it. This is an absolutely unheard, strange dream of a campfire evening – to be experienced live on the radio.

    The birth of the Twang

    Their debut album “Four Foot Shack” (2014) only unfolds its true magic when you experience it as it is meant to be: with full dynamics, like on a vinyl release, while you sit relaxed in your “chair” and listen attentively. That’s when you get to witness the insane stuff they deliver here!

    Claypool always records in high-resolution in his own studio, and the vinyl masters are even less compressed – a treat for audiophiles. The songs are recorded live in one take without overdubs, and Kehoe’s solos are real masterpieces, delivered strictly according to the manual, virtuosically and full of heart – something you can only really experience on Mother Earth Radio.

    Les Calypool's Duo De Twang

    Ready for your twang? Your wish is our command.

    Would you like to experience this extraordinary artist or track right now? On our web player page you can not only dive directly into the high-resolution stream, but also use our song request! Request the artist or track in question and we will play it for you within the next three tracks.

  • Primus: Little Lord Fentanyl – The story of the monster drummer.

    Your moment of the unexpected begins now.

    Some bands go their own way, unperturbed by conventions. And sometimes they write stories that are so incredible that you can hardly believe them. This moment of the unexpected is exactly what you’ll experience when Primus’ “Little Lord Fentanyl” plays on Mother Earth Radio. As the latest addition to our high-resolution program, this track invites you to discover a band that is constantly reinventing itself – and in the process has uncovered a true drumming marvel.

    The soul of music: craftsmanship you can feel.

    Primus, the legendary combo from the Bay Area, is known for its unique, unconventional sound. But when it came to finding a new drummer, they took a route that was as unconventional as their music itself: Instead of asking a known quantity like Danny Carey from Tool or another star, they started an internet audition. Les Claypool and co. watched over 6,000 video submissions, went through a meticulous casting series and finally made an incredible discovery: John “Hoffer” “Hoffington” Hoffmann, a relatively unknown no-name from Shreveport, Louisiana.

    “Little Lord Fentanyl” is the first track with John Hoffmann on drums, and what a debut! He is an absolute monster on the kit, fitting seamlessly into the trio extravaganza and adding a new, fascinating dimension to Primus’ sound. It’s the pure, unadulterated energy of three exceptional musicians finding each other in the moment of playing together. This Hollywood-ready story is made even more incredible by the involvement of another Bay Area friend: Maynard James Keenan of Tool contributes backing vocals – an absolute dream casting!

    The journey of sound: From the original to your ear.

    As you would expect from Mother Earth Radio, you get this track in the highest quality. Les Claypool himself did a great job on the engineering front here, producing the recording in 96 kHz / 24 bit at his Rancho Relaxo. This is high-resolution audio at its finest, preserving every detail of Hoffman’s explosive drum work, Claypool’s distinctive bass and LaLonde’s avant-garde textures.

    Composition with character: an invitation to discover.

    “Little Lord Fentanyl” is typical Primus: quirky, rhythmically complex and full of surprising twists and turns. It’s music that challenges you and draws you into its very own world. At Mother Earth Radio, we celebrate exactly this kind of composition – bold, unconventional and far removed from the computer retort of the mainstream. This is music that demands attention and rewards with a unique listening experience.

    Your moment. Mother Earth Radio. Welcome home.

    Mother Earth Radio is your portal to these unadulterated sound experiences. It’s the place where you not only hear music, but feel it – music that is grounding and centring. Here you will find a community that understands the value of real music and celebrates the moment of sound.

    Ready for your moment? Your wish is our command.

    Would you like to experience this extraordinary artist or track right now? On our web player page you can not only dive directly into the high-resolution stream, but also use our song request! Request the artist or track in question and we will play it for you within the next three tracks.

  • Frédéric Chopin: Complete Polonaises – Garrick Ohlsson. Latest addition to the Mother Earth Radio program.

    Your moment begins now.

    Some sounds immediately cast a spell over you. They challenge you to fully immerse yourself. This moment of deep immersion is exactly what you will experience when Frédéric Chopin’s ‘Complete Polonaises’, interpreted by a master like Garrick Ohlsson, is played on Mother Earth Radio. As the latest addition to our high-resolution program, we invite you to discover this monumental work in a quality it deserves.

    The soul of music: craftsmanship you can feel.

    Garrick Ohlsson, known for his immense technical brilliance and profound musicality, is the ideal interpreter for Chopin’s polonaises. Every note, every chord, every dynamic nuance breathes the history and emotion that Chopin put into these pieces. It is the result of years of dedication and a deep understanding of the composition. His artistry is a perfect example of the mastery we seek and celebrate at Mother Earth Radio. This recording, originally released on EMI Electrola in 1973 as an original vinyl record, is a timeless testament to the absolute art of sound.

    Frédéric Chopin: Complete Polonaises - Garrick Ohlsson.

    The journey of sound: From the original to your ear.

    As you have come to expect from Mother Earth Radio, we have treated this recording with the utmost care. It has been meticulously digitized from the original vinyl record into high-resolution audio. This means: no loss, no compression, a sound that can breathe and ground you. And of course, every note of these polonaises has been enhanced by our unique 429 Hz tuning to give you a listening experience of unparalleled depth.

    Composition with character: an invitation to discover.

    Chopin’s polonaises are far more than just piano music; they are epic dramas of sound that reflect Polish history and the deepest human emotions. They challenge the listener, but offer an infinitely rich reward. It is this kind of music – sophisticated, profound and borne of true mastery – that lies at the heart of Mother Earth Radio’s selection. With us, you’ll discover the diversity of sound beyond the quickly consumable, music that demands attention and rewards with deeper insight.

    Your moment. Mother Earth Radio. Welcome home.

    Mother Earth Radio is your portal to these unadulterated sound experiences. It’s the place where you not only hear music, but feel it – music that is grounding and centring. Here you will find a community that understands the value of real music and celebrates the moment of sound.

    Ready for your moment? Your wish is our command.

    Would you like to experience this extraordinary artist or track right now? On our web player page you can not only dive directly into the high-resolution stream, but also use our song request! Request the artist or track in question and we will play it for you within the next three tracks.

  • The Ear That Hears Souls: My Journey to Mother Earth Radio

    An Unlikely Revelation: My Childhood Ear

    As a child, I didn’t know I possessed a unique gift, only that melodies moved me differently. I remember my primary school report card, where my art teacher wrote: “In the musical domain, his sensitivity in the emotional sphere is striking.” This seemingly simple observation was, in hindsight, the first glimpse into a world where sound transcended mere auditory perception. It was the earliest sign of my ability to grasp the raw emotions embedded within music, to hear the unspoken stories woven into each note. This revelation paved the way for a lifelong journey, deeply connected to the profound human element within sound.

    The Soul in the Signal: A Unique Perception

    To truly “hear” the soul in an audio signal means perceiving the human truth within every vibration. Imagine listening to a speaker and instantly knowing if they’ve slept poorly or are preoccupied, simply from the subtle tremor in their voice. Or witnessing a drummer, utterly absorbed, pour their entire being into a single crash cymbal strike – a moment so intense it feels like their last act on Earth. This isn’t just about perfect pitch or technical analysis; it’s about discerning the passion, the vulnerability, and the complete human existence poured into each sound. This unique sensitivity transcends mere auditory reception, making music a gateway to understanding our shared humanity.

    The Frustration of Unshared Worlds

    This deep perception, however, often came with a quiet frustration. How do you explain the profound emotional weight of perfectly captured music to someone who doesn’t hear the difference, or simply isn’t interested? In a world where music often becomes background noise, conveying the intricate nuances and raw emotions embedded in each high-resolution note felt like trying to describe color to someone who only sees in black and white. It was disheartening to witness the disconnect, highlighting the challenge of bridging the gap between those who merely hear and those who truly listen, seeking the soul within the sound. This yearning to share authentic sound and the deep human connection it fosters became a quiet quest.

    Mother Earth Radio: My Answer to the Unheard

    From this persistent yearning, Mother Earth Radio was born. It became my personal answer to the “unheard”—a sanctuary for those who crave music in its purest, most authentic form. This platform isn’t just a collection of songs; it’s a dedicated space where every note and texture is cherished. Here, my deep passion for high-resolution audio and my decades of experience in audio engineering converge, creating a unique, independent radio experience. Mother Earth Radio is my testament to the human connection in music, bridging the gap for those who seek a deeper, more authentic sound.

    The Validation of a Global Audience

    Broadcasting the soulful melodies of Mother Earth Radio brought an unexpected, overwhelming joy. Messages poured in from listeners across continents, affirming that my pursuit wasn’t solitary. This global audience resonated deeply with the unique sound and emotional depth of the music, proving that there are indeed hearts that beat faster when they hear music as I do. Their gratitude for the high-resolution audio experiences and the emotional connection felt reaffirmed that music, in its purest form, transcends all barriers, uniting souls in a shared appreciation for authentic sound. This validation underscored the importance of creating spaces like Mother Earth Radio, where genuine music experiences are celebrated worldwide.

    Beyond the Noise: My Definition of Music

    In a world saturated with sound, my definition of music transcends mere noise. For me, music isn’t just a series of notes; it’s the very language of the soul, an unfiltered symphony of raw emotion, genuine storytelling, and resonant human experience. Much of what passes as “music” today simply doesn’t meet this profound standard. Mother Earth Radio stands as my answer to this reality—a beacon for those seeking true musical encounters where high-resolution audio meets deep sound sensitivity, and where the emotional connection to music is not a fleeting moment but a lasting imprint. This is where I’ve found my definition of music: beyond the noise, in its truest, most authentic soul.

  • VR & Hi-Res Audio: This is how you really hear

    The forgotten feeling: what VR glasses tell us about good sound

    Imagine you’re watching a video. Not on the TV, but as if you were in the middle of it. Everything around you is an image and it feels like you can walk through the scene. I’m talking about VR goggles, and to be honest, until recently this was more of a gimmick for me. The images were often blurred, pixelated – you could sense the potential, but it didn’t really blow you away. But then Meta Quest 3 came into play. And with it came a resolution that simply left me speechless. Suddenly the image was so incredibly sharp, so detailed, that I really felt like I was part of this other world.

    VR & Hi Res Audio
    Photo by Alessia Lorenzi

    But the real kicker came when I took my own videos from my hard drive and created them with a special program called Owl3D for these glasses. I put them on and the moment the video started, I thought: “This is amazing! I’ll never look at a normal screen again!” The image was so lifelike, so tangible. And although it was already breathtaking, I instinctively felt: “If only the resolution was just a little bit better!” It’s hard to imagine how incredible it would look if it were absolutely perfectly sharp – simply stunning. It’s already great, you can see everything, it looks great, but that last little bit more pixels, that would be it!

    Why we talk about VR when it comes to good sound

    It is precisely this feeling, this intuitive understanding of “resolution” and what would constitute an even sharper image, that is the key to a realization that many of us have unfortunately lost in the field of audio. Because it’s exactly the same in the world of sound! The only difference is that hardly anyone today knows what “good” sounds like.

    We are surrounded by music. It’s playing on the radio, streaming on our smartphones, coming out of small Bluetooth speakers. And yes, it all sounds okay somehow. It’s as if we’ve been looking at the world through these slightly pixelated VR glasses for years. We no longer know what we’re missing. We have become accustomed to a lower sound resolution, to highly compressed formats in which countless nuances, tiny details and the natural spatiality are simply no longer there.

    Streaming with low resolution
    Photo by cottonbro studio

    As with VR glasses, where you lack a little resolution to really feel the fine texture of a tree bark in the virtual forest or see the sparkle in the eyes of an avatar, we lack the sound pixels in the sound. We hear the song, yes. But do we also hear the subtle vibration of a guitar string, the delicate reverberation of a voice in the recording room, the exact position of each individual instrument on the virtual stage? Can we hear the “air” in the room where the drums were recorded? Quite often, unfortunately not.

    Rediscovering the lost dimension of music

    Hi-Res Audio or excellent vinyl playback are like those razor-sharp VR glasses that suddenly show you what is visually possible. They add the lost pixels of sound. Suddenly, a whole new dimension of music is revealed:

    • Spatiality: The band is no longer a flat carpet of sound in front of you, but spreads out in the room. You can clearly locate individual instruments, feel their exact position and their reverberation, as if you were sitting in the middle of a concert hall.
    • Subtlety and detail: You suddenly hear the sound of the singer’s breathing, the soft creaking of a chair in the studio, the plucking of the strings of an acoustic guitar – all these tiny details that make the listening experience incredibly vivid and real.
    • Dynamics: The music really “breathes”. Quiet passages are really whisper-quiet, loud explosions are powerful and clear without being unpleasant or overdriven. The entire emotional range of the recording is palpable.
    • Emotion: With all these additional sound pixels and details, the music becomes more emotional, more gripping, more real. You are no longer just a listener consuming a recording, but immersed in the experience and almost become part of it.

    Many of us listen to music today as if we were looking at a world-famous painting through a tiny, blurry cell phone camera. You get the idea that you recognize it. But then you suddenly find yourself standing in front of the original in the museum. The colors, the texture of the brushstrokes, the sheer size – it’s a completely different emotional experience, isn’t it? You didn’t know what you were missing until you saw the real thing.

    It’s the same with the sound. For a generation that grew up with compressed MP3 files and streaming in average quality, the full, unadulterated sound – as it was recorded back then, with a stable power supply and via analog mixing consoles directly to tape – may be a completely new sensation. It’s not just “better”, it’s fundamentally more. It is a deep immersion, a rediscovery of the music we love and the experience of emotions that were previously hidden.

    Take the plunge: recalibrate your ears

    Maybe it’s time to put on the “VR glasses” for your ears. Find a really good hi-res source, be it a streaming service that offers lossless playback, a well-recorded vinyl or a high-quality FLAC file. Listen to your favorite music – and let yourself be surprised. You might very well realize afterwards: “I never want to listen with less sound resolution again!”

  • Radio Paradise as inspiration: How Mother Earth Radio became a pioneer of high-resolution audio

    Radio Paradise as inspiration: How Mother Earth Radio became a pioneer of high-resolution audio

    Radio Paradise: The inspiration behind Mother Earth Radio’s high-resolution audio revolution

    Radio Paradise is a name that stands out in the world of online radio – and for good reason. For us at Mother Earth Radio, Radio Paradise is not a competitor, but a real source of inspiration. The station has set standards that motivate us and show us how to present music with passion and integrity. In this article, we take a look at what makes Radio Paradise so special and how it has influenced us at Mother Earth Radio.

    The first free web radio without adverts

    Radio Paradise was a pioneer in the world of Internet radio: it was one of the first web radio stations to operate completely without adverts. This decision was revolutionary at the time and gave listeners an undisturbed music experience. No annoying adverts, no sales pressure – just pure music. This is a concept that also impressed us at Mother Earth Radio and inspired us to go our own way and put the music at the centre.

    Excellently curated music without chart constraints

    Another highlight of Radio Paradise is the incredibly careful selection of music. There are no playlists here that are based on the charts or the specifications of large media companies. Instead, each song is carefully selected to create a unique and harmonious mix. From classics to hidden gems, Radio Paradise proves that music doesn’t have to follow the ratings to be great. This freedom and dedication to quality is something we at Mother Earth Radio value highly and see as a role model.

    Radio Paradise

    A great team: Bill and Linda

    Behind Radio Paradise is a fantastic duo: Bill and Linda Goldsmith. Bill, a former DJ, and Linda, an artist, have put their heart and soul and vision into creating a station that delights music lovers worldwide. Their commitment to commercial-free, listener-centred radio has created a loyal community that shares their love of music. Bill and Linda’s teamwork and passion are proof that great things happen when you believe in your idea – a motivation for us too.

    The challenge of licence fees

    One issue that concerns both Radio Paradise and us is the licence fees for music. Especially in the USA, the fees charged by organisations like ASCAP are ridiculously high (see Radio Paradise FAQ). For independent broadcasters like us, these costs are barely affordable – we simply can’t afford them. Nevertheless, we at Mother Earth Radio have a clear stance: we have licensed every country that is willing to charge reasonable fees and pass them on to the artists. Why? Because we firmly believe in the work of musicians and want to ensure that they are fairly remunerated for their art. This is a real grievance in the industry and we are determined to do our bit by making licence agreements transparent and fair.

    Inspired by pioneers: Radio Paradise and Mother Earth Radio

    Radio Paradise pioneered the way for independent, ad-free web radio – and we at Mother Earth Radio are proud to follow in their footsteps, but with our own ground-breaking approach. While Radio Paradise was a pioneer of free web radio, we’re going one step further: we’re the world’s first high-resolution audio station. Since our launch in February 2020, we have been streaming music in exceptional quality, such as FLAC 24-bit/192kHz, offering a sound experience that is second to none. Before us, only paid services like Tidal and Qobuz offered high-resolution audio. We have opened the door – for streamers, platforms and listeners – and made a new world of sound accessible, free of charge and without adverts.

    Why Radio Paradise inspires us

    For Mother Earth Radio, Radio Paradise is a shining example of how to present music without compromise. Even though we have our own style – such as our focus on high-resolution audio and the Faslaks sound at 429 Hz – we share the same basic philosophy: music should be experienced authentically and without distractions. Radio Paradise has shown us that an independent, advert-free approach is not only possible, but can also be successful.

    Support through advertising on the website

    Our channels are licensed and remain free, ad-free and subscription-free. However, we have recently started advertising on our website to cover server and operating costs. This decision allows us to maintain the quality and service of Mother Earth Radio without compromising the listener experience. I continue to be the sole funder of this project and use these adverts to ease the financial burden. Donations from our loyal listeners continue to be a great help, but advertising on the website is an additional way to ensure that we can continue to provide the best audio quality – without compromising the music.

    Join the High Resolution Radio Revolution and stream now on Mother Earth Radio

  • New Year’s Eve Special

    Join us for a magical journey into the night with a 4-Hour DJ Live Set by the legendary Cris’AE! Starting at 22:00 PM Munich Time, immerse yourself in the art of mixing where craftsmanship meets creativity.

    Cris’AE, once renowned for his unparalleled skill in blending tracks with two turntables, brings his unique touch to Mother Earth Radio. Experience the fusion of past and present, where every mix is a piece of artistry.

    Tune in for:

    • An unforgettable musical voyage
    • The essence of house music reimagined
    • The spirit of Mother Earth’s dedication to well-crafted, soul-stirring sounds

    Don’t miss this exclusive event as we celebrate the New Year with music that resonates with the universe.

    Happy New Year from Mother Earth Radio!

  • 500.000 streams

    500.000 streams

    Half a million listeners in 2023/24

    On September 1, we renewed the music licenses with our provider ICE Services for the next year. The number of listeners in the last license period exceeded half a million – thank you! We are not alone!

    Mother Earth Radio, which has been free-to-air since 2020, is thus rising from a ‘micro-micro’ music streaming service to a ‘mini-micro’ station. I’m delighted and will stay tuned – we’re in it together. Music of quality, streamed in good quality – this obviously not only pleases die-hard vinyl and Hi Res nerds, in times of Spotify and musical uniformity in mp3 format, Mother Earth is not only a blessing for us.

    Next year, I’m planning to update our Google Play app, but I still need to familiarise myself with the Android programming language and will try to have a version ready by November.

    Many thanks as always to all supporters who have donated. A special thank you to the person who left us some wonderful classical records – I’m already busy recording!

    A music licence for the United States is still out of the question, unfortunately, American media law also requires us mini-providers to pay a fee of $1000 per stream plus song billing, so we’re probably talking about $5-600 per year.

    Of course, a Germany-wide DAB licence would be even more exciting for us – around €10,000 per year as far as I know.

    Chapeau to all listeners for your musical bravery and I wish you continued enjoyment of our programmes!

    -Florian Reiterer

  • Mother Earth on Alexa

    Mother Earth on Alexa

    Listen to Mother Earth Radio now with Alexa!

    To listen to Mother Earth Radio with an Alexa device you can now use our new Alexa Skill!

    Just say: “Alexa, enable Mother Earth Radio” (or “…Mother Earth Jazz”, “…Mother Earth Instrumental”) to install the skill!

    As always, I would like to point out that our high-resolution streams are best enjoyed with a network cable.

    Have fun listening, thanks to Voicerepo for the skill!

    -Florian Reiterer